The Stone, the Sorrow is a choreographic object designed for three performers. It proposes a fantastic imaginary, in which each performer is half human and half goat, contrasting with a real and naked scenography, made up of the technical skeleton of the theatres where it is performed like abandoned quarries in Portugal, assuming them to be wounds in the landscape and places of human extraction, compared to the idea of Family, where relationships undergo processes of wear and tear, abandonment and reconstruction.